There is a strange and powerful interchange of lyricism and instrumentalism throughout First Mind, both seem to have hidden timbres and messages. His song writing is deeply introspective, at times cryptic. No doubt they were intended to be experienced in this way – a chilled, mellow vibe and an attentive audience. Among them are Cucurucu, Meet Me There and April. He plays some tunes from his 2014 debut, First Mind. He needs not even raise his voice away from the microphone for us all to hear him. It’s the kind of gig where Mulvey can almost converse with member of the audience between songs, and for it not to seem strained. He just walks up casually from a spot in the room, picks up a guitar and starts playing, a beam of light shining down around him as if he were about to ascend.
Nick Mulvey’s shrouded in light as he takes to the stage. After the publicities of the Mercury Prize, and the Brit Awards are assured to offer Mulvey a couple of nods, the 2015 dates will fill up fast. I highly recommend you try to purchase tickets for the most intimate show available as being able to hear each perfectly plucked note and breathy, melodic vocal echo around is something to behold. Whilst 'Meet Me There' has become a cult classic as the crowd become Nick's backing choir for the ethereal choruses to leave the performer visibly moved onstage.Ī true British success story, Nick will tour the UK this Autumn to mainly sold out crowds before returning in 2015 to even larger venues to the phenomenal demand for tickets which includes a final date at London's Roundhouse.
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His debut LP was full of crafted, considered folk with evocative lyrical content such as 'Fever To The Form' which leaves audiences stood aghast as Mulvey slowly builds this brooding track with the subtleties of simple chord changes and that earthy hummed vocal. Perhaps this is due to his touring background with previous band Portico Quartet, yet Nick's wry smile and glimmering eyes seem to allude to a greater satisfaction when performing his own material. The reality however is that this album was only released back in May, yet these tender folk tracks have been reworked and delivered with stunning precision and emotion when Mulvey coos on the likes of 'Cucurucu', it's powerful instrumental adding bubbling atmosphere to the track at just the right moments.įrom the small venues of his warm up UK tour earlier in 2014 to the gigantic crowds Mulvey drew to his sets at this year's Glastonbury and Bestival, the songwriter seems capable to tackle all with his trusty guitar in hand. Quiet and composed Nick Mulvey sits with such ease onstage you would believe he had been performing his debut 'First Mind' for years. Because he’s accomplished so much with just his debut album, Nick Mulvey comes highly recommended. It was an immediate hit, charting at number 10 on the album charts and leading to sold out shows at Shepherd’s Bush Empire and prime slots at that year’s Glastonbury Festival. By the end of 2013, Mulvey was short-listed for the BBC’s Sound of 2014 list, and his debut album “First Mind” was released in May of the same year.
His debut E.P landed him an E.P release contract with Universal Music Group for his second effort, June 2013’s “Fever To The Form”, and after a high profile tour supporting Laura Marling, a major influence of his, he signed a more concrete contract with Fiction Records.
He left the band in January to start a solo career and released his first E.P, “The Trellis” in November 2012 on Communion Records.
The band saw some legitimate success, as their debut album was nominated for the 2008 Mercury Music Award, but come 2011, Mulvey was ready to move on. After two years of small gigs and busking shows the band signed to the independent jazz record company Babel Label, and their first album was released in November 2007. The band officially formed in 2005 and developed a sound that was as influenced by world music as it was by pop music. While he was there he met the other members of his first band, Portico Quartet. The intensive course exposed him to styles of music from all over the world, and when he returned to London he capitalised on it by taking up an Ethnomusicology course at the School of Oriental And African Studies at the University of London. Yes, he might sing hushed folk songs backed by an acoustic guitar, but his musical education began in earnest when he was 19 years old, and he moved from his native London to Havana, Cuba to study music and art. Nick Mulvey is the kind of singer-songwriter that shows how uninspired most other singer-songwriters are these days.
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